Tag Archives: Artist

Resistance


If you know the enemy and know yourself you need not fear the results of a hundred battles.
Sun Tzu

The-War-of-Art_straight_1024x1024

A few weeks back one of my best friends; Daniel Ionson: http://www.facebook.com/daniel.ionson shared with me an audio book titled: The War of Art by Steven Pressfield.  My friend is a good writer trying to chisel his way into the novel market.  Danny and I have similar tastes and he has a great eye for books.  Anyways, he told me this Pressfield book hits it on the head, so I said sure send it my way.  [Steven, if you ever read this, I promised myself to buy a real copy of your book.]

Anyways after a few weeks of procrastination, I uploaded it to iTunes and started it just the other day while painting Ionson’s novel cover.  It only took about 30 seconds to realize this book was for me.  The forward by Robert McKee left me wondering where the hell was Pressfield the day I needed his words the most: when I decided to enlist instead of exploring art school with any real conviction.

As I listened the prose carried into my soul like one of Caesars speeches to his legionnaires.  Chapter one hit me like a laser guided bullet.  The words were as right as rain.  I wasn’t just listening and painting, I was soaking Pressfield in like a dry sponge does water.  I will admit I’m only about 25 minutes into the audio book but I feel like I’m better informed and educated to fight the battles ahead that will assure me art success.  If you follow my blog and are too wondering what it is I’m exactly talking about with this Pressfield book, simply open another browser window, and paste this link in:

http://lmgtfy.com/?q=steven+pressfield+the+war+of+art

You will thank me later.  🙂

So what I have decided after taking in just a piece of Pressfied’s The War of Art, is to find an artist retreat somewhere, off the grid with NO internet, NO cell, NO TV!  Nothing but my paints and paper.  I’m going to find out what I’m capable of as a full time painter.  Call it an extreme artist makeover.  I’m hoping to find a scenic quiet place with a great view away from the world.  That is my self motivational kickoff to turning a new leaf.

Any location suggestions with vacancy maybe late next spring or early summer?

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A Day In The Life


    “I read the news today, boy
    About a lucky man who made the grade” 

John Lennon

There is a false sense of security one can wrap themselves in when accolades start coming your way.  This year has been very good to me in the awards department.  I pulled in $1650.00 in prize money in three out of four juried shows I attended.

Lincoln Art Festival Best of Show

Lincoln Art Festival Best of Show

Make no mistake, winning awards is great, they are confidence builders and nice annotations to the art resume.  They don’t equate to sales; 2012 was far better for me.  I think of what new paintings I had showing compared to last year: only four small 5″ x 7″ marble paintings and one 5″ x 7″ fruit.  The latter was only on display for my last show in Lincoln Illinois.  Ultimately I feel my booth presentation improvements have helped considerably.  It’s a bit easier to spruce up a tent than it is to churn out 20 new paintings.  Consistency  and uniformity in frames, mat quality and cutting as well as professional signage are all important elements to having a good both presentation.  Yes the art is what matters most.  I feel as if I am riding on the coat tails of my older paintings.  Why?  Let me explain.

Working a full time day job sometimes makes painting after hours seem like a second job.  Often I get home and simply don’t feel like painting.  Don’t get me wrong, it’s not that I don’t want to paint, I just don’t feel motivated to start after working all day.  Ever feel like that?  Yes I know, the picture isn’t going to paint itself, you’re right.  I want to paint but I simply don’t start.  I’m sure there is some pill for that.

Don’t let me fool you, I don’t dig ditches, throw trash or haul bricks all day.  I don’t even walk uphill to work.  Quite the opposite actually.  Rather I sit on my ass in a shared office, doing a tech job that isn’t very fulfilling.  It’s a paycheck; a good one, but one that I do because I must.  I am one of those guys who works to live, not vice versa.  I wish I liked my job, but I don’t.

Ultimately my art must be able to completely replace my 9-5 income, before I quit my daily grind.  I guess that’s my dream, to wake up being my own boss, and yes, get paid for it.  Sounds ambitious right?  Perhaps, but who wants to work a long day and not get paid?  Wouldn’t you rather do something you love to do and make good money at it? Isn’t that the dream, getting paid doing what you love.

Staying motivated is the key.  Having discipline to work regardless of motivation is the answer.  Regardless of talent hard work is the difference between success and failure.  There are no less than 20-30 paintings in my head that are worth painting.  How long is it going to take?  I don’t know, but none of them will get finished unless I get my butt in front of my stretched paper and start.  I have to make the grade, by my standards.  I’m lucky to have accomplished what I have since taking up the brush back in 2006.  Right now I feel like my output is sitting at a D.  So I’ll leave you with a bullet point list of helpful thoughts.

  • Paint at least two hours a night, five days a week
  • Sketch Daily
  • Blog twice a week
  • Start using a art calendar
  • Read more art related material
  • Have short term, mid term and long term goals written out
  • Take a workshop from another artist
  • Open my Amazon store front
  • Sync my FB/Blog and website with updates
  • Get my website redesigned using a WordPress theme
  • Daily Painter
  • Seek out quality galleries

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Painting ‘Lotus’ Style


My foray into owning an impractical car has been an expensive yet surprisingly fun experience.  My racing green Lotus Elise is a glorified street legal go-cart.  It’s so much fun to drive!

My CarWith a Lotus, the journey has become more important than the destination.  Jenny, my co-pilot and navigator in life and on the road, always finds the best curvy two lanes to drive on.  Our date nights are often precluded by great drives with the top down, feeling the rush of the wind and the roar of the engine, as we hug the deserted country roads.  Long gone are trips on the semi clustered interstates, littered with tolls and asshole drivers.

I take pride in owing this little exotic, it’s surely no Ferrari or Porsche but it’s my piece of fiberglass, aluminum and plastic, that won’t be traded sold or neglected.  I’ve never owned a car like it and I probably won’t again, so it gets pampered.  He’s my garage king.  :-]

Yes my car is a guy, named after the emerald ring Barahir in J.R.R. Tolkien’s Middle Earth.

I can’t count how many times I’ve had to open my car door.   Well my little Lotus has opened a few doors for me.  I’ve met a plethora of good people whom I’d never have crossed paths with in life.  Guys like Moto44, SwingLo, Gunpilot and !Me from the Lotus Talk forum.  Then there are the fine young chaps and ladies from the Illinois Flat Land British Car Club, and the guys who keep these cars running and looking great like T.J. from the FVMC, Chuck over at C.A.R.S. and even the ‘Junkman‘, who knows more about detailing a car than I do about watercolor painting, which reminds me.

It just so happens that my home town Bloomington IL,  is hosting the Champagne British Car Festival (May 31-June 2) and an art show themed around British cars!  Come June, while I’m showing off my paintings inside the historic David Davis Mansion, my Lotus will be parked out on the lawn, soaking up some sun and giving others the opportunity to see these rare vehicles.

I really have come to appreciate the Lotus Talk community.  The wealth of knowledge there about Lotus cars is unsurpassed.  Everyone shares and seems willing to exchange ideas, answer questions and talk about their car experiences.  So after mingling around for about a year usually asking way more noob questions than I could ever answer, I reached out and asked if anyone was willing to submit their car photos for me to use as reference for painting some new original art.  I was overwhelmed with hundreds of photos, more than I could ever paint in a lifetime.  All of the guys were excited about the prospect of a professional artist painting their ride. The best thing is, for the first time on that forum, I’m an expert at something.

I hope I don’t let them down…

The photos I have been given to use are gorgeous, and the pieces I chose play right into my strengths as a painter.  Here is a sneak peak…

Lotus Badge

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Artist Review I: John Howe


John at work in his Switzerland studio

John at work in his studio

I’ve never met John Howe in person, though I feel I know him, well as much as one can from emails and an internet forum.  Since I’ve been a kid John’s art has given my imaginations of Tolkien’s mythical world color, texture and light.  I remember the first Tolkien Calendar I bought back in 1988, which I still have, along with no less than a dozen others.

I would just sit and think about the worlds John depicted.  It was easy to drift off inside his pictures as I imagined what it would have been like to have seen Smaug fly over Laketown:  earth shaking roars as a conflagration of fire danced off the illuminated waters beneath him.  His translucent wings casting an amber shadow in the fading light.  Even more I imagined how anyone could make such a picture look so real, I was in awe.

I was eleven or twelve when I read the Hobbit and a junior in high school when I started reading the Lord of the Rings for the first time.  Tolkien’s books were unlike anything I had read before.  I have to thank my cousin Kevin for letting me borrow his green sleeved copy of the Hobbit, which is where all this started at.  THANKS KEVIN!  Since then, Tolkien’s writings and Howe’s art have become an integral part of my being.

A man who needs no introduction in the world of illustration; and now film, John Howe ranks as one most praiseworthy fantasy illustrators alive today.  John was born and raised in Canada and presently lives in Switzerland where he works out of his home studio.  John is a modest and most generous man who is giving of his knowledge.  We have had some very pleasant emails back and forth over the years about art.  He selflessly mentors aspiring artists through books he has published, guest speaker appearances, in email and his correspondences on the inter-webs from his website: john-howe.com.  Go visit his page, it’s full of wonderful images and good people, many whom are regulars on the art forum John hosts.

Five Reasons I admire John Howe and his art:

  1. John’s fantasy is very grounded in realism and he is one best sketch/drawers I’ve seen.
  2. His work captures fictional moments in time like no other.
  3. He possesses a mastery of light, transparency, detail, color and composition.
  4. John’s ability to work in other mediums such as ink and pencil elevate his watercolor paintings to higher levels of elegance and craftsmanship.
  5. John is a constant teacher, a kind and generous artist whose contributions to the craft have helped move fantasy art into the mainstream and inspired many to follow in his footsteps.

Meeting John for a day of art and good company is on my bucket list.

Thanks John for doing what you do.

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Marble Madness!


meI remember playing marbles back in the 70’s when I was a kid living in Michigan.  We played for “Keepsies” on occasion and I lost a few Cats Eye’s and Steely’s.  I ended up trading back for those most of the time, but it always cost me more junky marbles.

It was a different time then I guess.

My two sons didn’t  play marbles growing up, and I don’t think to many kids play these days?

Anyways between serious big wheel races, melting my army men down to slag with matches and Lysol, and just running around outside all summer I lost all my marbles.

So… I’ve been looking for some new ones for a while now.  I struck gold when I bumped into Phillip Nolley an artisan glass blower at the Columbus Art Festival a year back.  We had a nice conversations that day and I bought a few pieces from him.  I also asked if he would do me up some nice large marbles.  Boy did he come through!  I guess I should let him know his marbles are flat and in watercolor now.

Check these babies out!

Marbles

Marbles don’t paint nearly as fast as some of the other smaller

paintings I have done, so these four new 5″ x 7″ paintings took me a long time.  I got better as I went and the last one is my favorite.  There will be a large epic marble painting in my future.  :]

Marbles4 Marbles2

Marbles3 Marbles1

I have not figured out names, I’ll probably go with Marbles I-IV, yes I know very original.

OK shameless plug here:

These new originals will showcase at the Spring Bloom Arts Festival coming up Saturday March 30th at the Bloomington Interstate Center.  They will be framed and double matted @ $225.00 each.  If your tax refund is burning an art hole in your pocket, you can be the proud owner of all four original paintings for $800.00.  My last batch of 5″ x 7″ fruit paintings sold in about 45 days, so don’t sit on the fence and miss out.

Talk to you Thursday.

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Acquired Inspiration


Canyon RoadIn my recent travels to Santa Fe New Mexico and Siesta Key Florida, I had the opportunity to immerse myself into Canyon Road and fill my nearly empty cup of inspiration until it was overflowing.  In Santa Fe, I managed to walk through twenty five or so art galleries before I had to catch the train back to Albuquerque.  Watercolor art had a modest presence.  Even less represented were the ‘hyper-realism’ still life paintings I have accustomed myself to painting.  But I already knew this, and my speculations over a year ago about moving towards figurative work were spot on.  Gallery prices were through the roof too, some upwards of 60k  Were any of these selling? Who buys $60,000.00 paintings these days?  The middle class art budget has all but dried up since 9/11.

There was one artist that sticks with me still.  I was very fortunate to see a few  Steve Hanks originals hanging in the Rio Grande Gallery.  Simply amazing!  Yet I feel that it’s in me to render people as well as I can glass, perhaps in time, as well as he does.

Santa Fe was great to visit and I definitely would recommend this cozy little town to anyone interested in art.  I will be returning someday so I can take my time and spend several days in this western art mecca.  By the time I hopped the train back to Albuquerque I had reached art overload an still hadn’t seen even a quarter of what was there.

My BoysThanksgiving in Florida helped me refresh from a long summer of shows and a nearly absence of painting in the early autumn.  Just sitting in the sand, soaking up the sun on Siesta Key with nothing to do was great.  I got to just listen to the waves crash ashore in the warm sun.  It really helped wipe the slate clean and renew my affinity for nature, family and just being.  Sometimes the simple things in life like waves on the shore, amber and crimson sunsets or listening to trees creak in a gentle wind can remind us of our humanity and affinity with mother nature, all we need to do is stop a minute to listen.

For now there are some paintings I have to get done that were supposed to be done months ago.  Five small marble paintings, a glass piece, one swim painting, a surrealism building picture and then I’ll be diving into figurative work.  Anyone interested in modeling for me?

New Glass New Glass (zoomed)

See you next year!

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Summer Art


Summer has been good here at Madison Art.  I’ve not been painting as much as I like, yet the watercolor train is still moving, albeit slowly.  I finished another small painting, which sort of tops off my interest in fruits as a subject to paint.  The newest edition to my collection is “Lunch in the Sun“.

Image

A small little 9″ x  12″ with a lovely Glasswing butterfly.  These are beautiful creatures native to Central and South America.  And yes they have transparent wings!  It’s a shame they can’t be found around central Illinois.  If you are curious about them check out TwistedSifter for some amazing photos.

I’m ready to move on to other things.  There will always be a special place in my heart for still life paintings, and I’ll probably continue to produce them but it’s time to mix in some figurative work.  I’ve been longing to do this since I did the Pulp Fiction of Oz painting for a friend of mine.  Since then I have has some good conversations with my friend Daniel Vangeli about painting people so I’ve been exchanging some ideas with him.

My wife and I were out to dinner the other night and I was lucky to catch a father and his daughter sitting together waiting for a table.  This beautiful girl was so animated with her dad it was endearing to watch.  I looked over at Jenny and said “You know those two would make a great painting.”  She agreed and I snuck my iPhone up from around my glass of beer and snapped about ten photos of the two.  They turned out great and I am really looking forward to using these as reference for a new painting.  I can’t wait to share it.

Oh yes, I joined the PWS:  Pennsylvania Watercolor Society….

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